This was the first project taken on by 4K London before the RED camera was released and it was a chance to perfect the non-linear digital workflow.

The series of 3 one-hour programmes were shot by BAFTA-wining camera man Tim Crag on DVCPRO HD. The tapes were then digitised at full resolution and remained at this quietly for the entire process. It was cut by 4K London’s MD Matt Platts-Mills then with all the necessary files for graphics rendered out from the timeline. Once the edit was finished, the 3 films were graded by Mike Curd on Apple Color.