4K London are London's leading RED specialists. We have also established rock-solid workflow practices, both on-set and in post-production to give our clients a trouble-free RED experience.

4K London can offer you the following services.

Digital Imaging Technician (DIT)

A DIT will supervise the safe storage and multiple backing up of your rushes and can also advise on monitoring and playback, camera menu settings, recording options and exposure.

A DIT is an essential crew member on a RED shoot, and it is vital that they are experienced and well-trained. Most bad RED experiences are down to poor data management on set. 4K London has the most experienced DITs in the country.

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Edit Suite Hire

We provide dry or wet hire edit suites in our soho facilities. Whether AVID or Final Cut Pro, these suites will be fully set-up to handle RED footage.

Edit Suite Set-up

If you want to edit RED footage at your own edit facility, 4K London can provide assistance with setting your suite up correctly, installing the correct codecs and plug-ins, so you are ready to start editing RED footage.

Rushes transcoding

4K London offer a full range of transcoding services to suit your requirements.

To begin editing on an AVID suite, the REDCODE files that come from the RED camera will need to be transcoded to an AVID-friendly codec before use.

Although Final Cut Pro can handle REDCODE footage natively, if you are using FCP on old hardware, you might want to transcode your footage to an offline codec with a lower data rate.

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Mastering output

When you are ready to on-line, your REDCODE files will need to be converted to a format your chosen post facility can use. 4K London have done extensive testing to discover the best conversion settings for your final images.

We can output to a variety of formats and codecs including 2k and 4k dpx for finishing on Baselight, Flame, Quantel eQ etc. for film-outs or DCI packages, or HD quicktimes for TV deliverables.